Ave Maria #27 duo for
mezzo-soprano and bass
Composer: Louis Lambillotte (1796-1855), 1874

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Louis |
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Lambillotte |
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1796 |
1855 |
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1869 |
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Ave Maria |
choeur à quatre voix. |
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Louis |
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Lambillotte |
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1796 |
1855 |
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1869 |
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Ave Maria |
solo de ténor |
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Louis |
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Lambillotte |
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1796 |
1855 |
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1870 |
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Ave Maria |
choeur à 4 voix et soli |
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Louis |
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Lambillotte |
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1796 |
1855 |
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1874 |
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Ave Maria |
Duo Mezzo-S and Bass |
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Louis |
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Lambillotte |
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1796 |
1855 |
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1881 |
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Ave Maria |
soprano or tenor |
piano |
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X |
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Louis |
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Lambillotte |
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1796 |
1855 |
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Ave Maria, guardian dear |
solo voice / unison choir |
organ |
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X |
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Louis |
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Lambillotte |
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1796 |
1855 |
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Hail, all Hail, Great Queen of Heaven |
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Louis |
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Lambillotte |
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1796 |
1855 |
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Hail Virgin, dearest Mary |
solo voice / unison choir |
organ |
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X |
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Louis |
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Lambillotte |
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1796 |
1855 |
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Unfold, unfold, ye golden gates of heaven |
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| Recording: not available |
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| Lyrics: |
Score: |
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A-ve Ma-ri-a gra-ti-_a ple-na,
Do-mimus te-cum
Be-ne-dic-ta tu in mu-li-e-ri-bus,
A-ve Ma-ri-a!-gra-ti_a ple-na
Do mi-nus te-cum,
Be-ne-dic-ta tu In mu-li-e-ri-bus,
et be-ne-dic-tus, et be-ne-dic-tus,
et be-ne-dic-tus, fruc-tus ven-tris Je-sus!
Sanc-ta Ma-ri-a,
Ma-ri-a! Ma-ter De-i
o-ra pro no-bis, pro no-bis pec-ca-to-ri-bus
o ra pro no-bis,
nunc et in ho-ra mor-tis nos-trae
A-men.
o-ra, nunc et in ho_ra mor-tis nos-trae
A.-men, A-men.
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A
biographical dictionary of musicians (ed. Theodore
Baker)
G. Schirmer, 1905 - Biography & Autobiography - 695 pages |
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Lambillotte, Père Louis
writer and church composer b Charleroi Hainault Mar 27 1797 d Vaugirard Feb
27 1855 Organist at Charleroi then at Dinant in 1822 maitre de chapelle at
the Jesuit Seminary at St Acheul joining the order in 1825 and residing in
various monasteries lastly at Vaugirard
Works
4 grand masses one in the Lydian Church mode; other sacred music; organ
pieces; fugues etc. He publ an Antiphonaire de saint Gregoire facsimile
du manuscrit de Saint Gall 1851 with historical and explanatory essays
Quelques mots sur la restauration du chant liturgique 1855
Esthetique Theorie et Pratique du chant gregorien 1855
Pere Dufour editor of these last two publ a Graduel and Vesperal
after L's ideas about choral notes.
Fetis and others are unsparing in their criticisms of his soi-disant reforms
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Page last modified:
November 15, 2011
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www.avemariasongs.org

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