Ave Maria (i) Soprano solo + organ.
Composer: Adolphe Charles Adam (1803-1856), c.1895
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Adolphe-C. |
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Adam |
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1803 |
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Ave Maria |
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organ |
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Adolphe-C. |
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Adam |
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1803 |
1856 |
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Ave Maria |
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organ |
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Adolphe-C. |
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Adam |
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1803 |
1856 |
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Ave Maria |
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flute + organ |
| Ave Maria (i) in Huit
Motets à la Vierge pour le mois de Mai
c.1895 |
| Lyrics: |
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play/stop MIDI:
A ve Ma ri a, gra ti a ple na,
Do mi nus te cum:
be ne dic ta tu in mu li e ri bus,
et be ne dic tus, be ne dic tus fruc tus ven tris tu i,
be ne dic tus fruc tus ven tris tu i, Je sus. |
Sanc ta Ma ri a, Sanc ta Ma ri a
o ra pro no bis, o ra pro no bis,
pro no bis pec ca to ri bus,
nunc et in ho ra, in ho ra mor tis
Sanc ta Ma ri a, Sanc ta Ma ri a
o ra pro no bis, o ra pro no bis.
A men, a men, a men,
a men, a men, a men. |
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recording: |
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play/stop MP3 sample:
Ave Maria - Ellada Chakoyan
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| Score: available for
purchase at
Carus
Verlag CV 40.791/00 |
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My thanks and appreciation to
Debra Potts
for sending me this score. |
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| Posted on YouTube: Not available at
this time. |
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You could be
featured here!
If you (or your choir) perform this Ave Maria, make a video recording.
Post your video on YouTube, email me the page URL and I'll embed the video
in this page. |
You can also email me an MP3 for audio only. |
| Internet
references, biography information. |
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A biographical
dictionary of musicians (ed. Theodore Baker) G. Schirmer, 1905 - 695
pages |
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Adam Adolphe Charles celebrated opera composer
was b Paris July 24 1803 d there May 3 1856
He entered the Cons in 1817 but made little progress until taken in hand by
Boieldieu in his class for composition After publishing various pf pieces he
brought out the 1 act opera Pierre et Cat urine 1S29 the success of which
encouraged him to produce 13 more similar works in quick succession the
Postilion tie Longjumeau 1836 gaining European celebrity for its author and
still keeping his name in grateful memory In all he wrote 53 theatrical
works the most popular operas after the Postilion being Le Chdlet 1834 Le
fidele Berger Le Brasseur de Preston 1838 Le Pot d Yvetot 1842 Ia Poufi e de
Xuremberg Ca glioslro and Richard en Palestine 1S44 also the ballets Giselle
Le Corsaire L ausl etc In 1847 on account of difficulties with the director
of the Opera Comique A founded the Theatre National but was ruined
financially by the revolution of 1848 and entered the Paris Cons as prof of
composition succeeding his father who died that year. A does not rank with
the foremost dramatic composers of France his style being distinguished by
taking rhythms and light elegance and grace rather than forceful
originality. His forte was comic opera in which he was a worthy successor of
Boieldieu. |
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Page last modified:
November 04, 2011
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|
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